Static —

unalienable.

… if it doesn’t have ambiguity, don’t bother to take it. I love that, that aspect of photography—the mendacity of photography—it’s got to have some kind of peculiarity in it or it’s not interesting to me. 
Sally Mann

unalienable.

… if it doesn’t have ambiguity, don’t bother to take it. I love that, that aspect of photography—the mendacity of photography—it’s got to have some kind of peculiarity in it or it’s not interesting to me.
Sally Mann

unalienable.

… if it doesn’t have ambiguity, don’t bother to take it. I love that, that aspect of photography—the mendacity of photography—it’s got to have some kind of peculiarity in it or it’s not interesting to me. 
Sally Mann

unalienable.

… if it doesn’t have ambiguity, don’t bother to take it. I love that, that aspect of photography—the mendacity of photography—it’s got to have some kind of peculiarity in it or it’s not interesting to me.
Sally Mann

Pages
Unseen
Invisible
me
Whispers
Scribbling
Utterings
see
Lanterns
Moments
Imperceptible

g

Pages
Unseen
Invisible
me
Whispers
Scribbling
Utterings
see
Lanterns
Moments
Imperceptible

g

winter.

I prefer winter and fall, when you feel the bone structure of the landscape - the loneliness of it, the dead feeling of winter. Something waits beneath it, the whole story doesn’t show.
Andrew Wyeth

winter.

I prefer winter and fall, when you feel the bone structure of the landscape - the loneliness of it, the dead feeling of winter. Something waits beneath it, the whole story doesn’t show.
Andrew Wyeth

cipher 

They all occupied the same space but did not occupy it together. Imagine a thousand leaves of tracing paper, each with one person lightly pencilled on it, all stacked atop a scene of a frozen city block. A thousand discreet and solitary realities that appear to be occurring in the same location.
Doug Dorst, S.

cipher

They all occupied the same space but did not occupy it together. Imagine a thousand leaves of tracing paper, each with one person lightly pencilled on it, all stacked atop a scene of a frozen city block. A thousand discreet and solitary realities that appear to be occurring in the same location.
Doug Dorst, S.

So you want to hear a story? I used to have a few, things i’d visualise at night time while i slept. Funny that, i did actually sleep, sometimes. And i did actually dream, though it was hard to remember what that felt like, lately. The kind i used to conjure up when i was a kid. Some stories would have me in stitches, so silly not even Seuss would make any sense of them. Others so shocking, well, you’d never want to hear about those… So i’ll just tell you about that time i stumbled upon the Lost Place…

So you want to hear a story? I used to have a few, things i’d visualise at night time while i slept. Funny that, i did actually sleep, sometimes. And i did actually dream, though it was hard to remember what that felt like, lately. The kind i used to conjure up when i was a kid. Some stories would have me in stitches, so silly not even Seuss would make any sense of them. Others so shocking, well, you’d never want to hear about those… So i’ll just tell you about that time i stumbled upon the Lost Place…

The Philosopher

Q: How many philosophers does it take to change a lightbulb ? 
A: Hmmm… well there’s an interesting question isn’t it ? 
A: Three. One to change it and two to stand around arguing over whether or not the lightbulb exists. 
A: Define “lightbulb”….. 

❢

The Philosopher

Q: How many philosophers does it take to change a lightbulb ?
A: Hmmm… well there’s an interesting question isn’t it ?
A: Three. One to change it and two to stand around arguing over whether or not the lightbulb exists.
A: Define “lightbulb”…..

smirch

What is the subject matter of this apparently very personal world? It has been suggested that these shapes and images are underworld characters, the inhabitants of the vast common realm of memories that have gone down below the level of conscious control. It may be they are. The degree of emotional involvement and the amount of free association with the material being photographed would point in that direction.
– Aaron Siskind

smirch

What is the subject matter of this apparently very personal world? It has been suggested that these shapes and images are underworld characters, the inhabitants of the vast common realm of memories that have gone down below the level of conscious control. It may be they are. The degree of emotional involvement and the amount of free association with the material being photographed would point in that direction.
– Aaron Siskind

L’acqua fa male e il vino fa cantare. (Water hurts and wine makes you sing). Luigi x

L’acqua fa male e il vino fa cantare. (Water hurts and wine makes you sing). Luigi x